Demographic Change as an Opportunity to UK Businesses

Evaders case Essays

Evaders case Essays Evaders case Essay Evaders case Essay What would you have done in Evaders case? Is he to blame for any injuries that resulted from the faulty brakes or are his actions excusable? Are there any mitigating circumstances that lessen his culpability? In his situation, I would have done the same thing he did thus go ahead with writing the false report as requested by my superiors. And no, I strongly believe that he is not to blame for the injuries that occurred cause of the faulty brakes but rather the Goodrich Company was to blame. His actions of agreeing to write the report could be excusable for considering his own moral standards of choosing self-interest over morality. The mitigating circumstances that lessen his culpability can be identified as the fear of losing his Job and not being able to support his family because of the economic consequences that would follow if he was to refuse to write the report. Another circumstance is that even if he was not to cooperate and consequently get fired, it was all to be for no cause since the company would still go ahead with the manufacturing and fitting of the faulty brakes on his absence . 5. What are the three basic types of ethical issues? Come up with an example of an ethical issue for each type. Systemic Issues: This are questions raised about economic, political, legal or other social systems within which businesses operate e. G. The questions about regulations on which Botswana businesses operate Corporate Issues: This are the questions raised about a particular company. E. G questions about the organizational structure of an individual company (I. E. Express prints) as a whole. Individual Issues: This are the questions about a particular individual within an organization, their behaviors and decisions e. . Questions about the character of an individual employee of an organization. CHAPTER TWO 2. Explain how the Ford cost-benefit analysis showed that it would not be right to fix the exploding Pintos. Did the utilitarian analysis work in this instance? Why or why not? The Ford cost-benefit study showed that the cost of fixing he Pintos would be greater than the benef its , that more revenue would be lost, the study also revealed that if he Pintos were left as they were without changing the tanks less costs would occur. The study figures were that $137 million was to be spent to fix the Pintos and that if left unfixed the companys costs as damages to injured people and the families of those who died would be $39 million. This meant that going ahead with the production of those Pintos the Ford Company would save $96 million. I would say in this instance the Utilitarian worked because the idea behind it is that the right action or policy is the one that will produce the greatest NET benefits or lowest net costs. On this case the going ahead with production of Pintos by Ford earned them more benefits over costs because of the study. . What are the 3 categories of Justice? How are they distinguished? The categories of Justice are the Distributive Justice, Retributive Justice and lastly the Compensatory Justice. Distributive Justice is concerned with the fair distribution of society benefits and burdens whereas Retributive Justice refers to the Just imposition of punishments ad penalties o those who do w rong and Compensatory Justice on the other hand is concerned with compensating people for what they lost when harmed by others.

Stress in Psychology Research Paper Example | Topics and Well Written Essays - 750 words

Stress in Psychology - Research Paper Example â€Å"Even as modern suburban living offers an environment conducive to family lifestyle: ample living space, good schools, and relative safety, the suburban lifestyle is accompanied by substantial amounts of stress† (Cappell, Et al, 2001). The study investigates levels of stress for over 500 residents living in suburbs of Chicago, by measuring various demographic factors, such as gender, age, age of children, employment, number of hours worked each week, amount of time spent caring for the home, amount of time spent caring for children and number of hours of sleep each night. Levels of stress are measured by the number of stress related symptoms survey respondents report, for each factor. Overall, married males with families, living in the suburbs, who work reasonable hours and contribute little to household chores experience lower levels of stress, according to Cappell, et al (2001). Brown, D. & James, G. (2000). Physiological stress responses in Filipino-American immigrant nurses: The effects of residence time, lifestyle and job strain. Psychosomatic Medicine, 62: 294-400. Retrieved from http://www.hawaii.edu/hivandaids/Physiological_Stress_Responses_in_Filipino-American_Immigrant_Nurses.pdf. The study investigates blood pressure levels among immigrants to Hawaii, of Filipino origin. Blood pressure is assumed to be a predictor of physiological stress. Respondents in the study are nurses and nurse aids, who are Filipino immigrants. The use of blood pressure as a stress response shows a pattern that the authors believe cannot be accounted for, by physical demands of work. Results indicate that respondents who have lived and worked in the United States longer, have higher average blood pressures, than those who have been in the country a shorter period of time. â€Å"Women who resided in the United States longer had significantly smaller dips in their blood pressure during sleep† (Brown & James, 2000). Blood pressure normally dips during sleep. Th e assumption is that those with smaller dips in blood pressure are suffering from a higher level of stress. Respondents were also given questionnaires to measure their perceived lifestyle, compared to both Filipino and American lifestyle, using a scale. Respondents rated themselves as generally having a lower perceived American lifestyle. The implication for results of this research, is that acculturation brings about higher levels of physiological stress response. Steckel, R. (2005). Young adult mortality following severe physiological stress in childhood: Skeletal evidence. Economics and Human Biology, 3: 314-28. Retrieved from http://web.econ.ohio-state.edu/rsteckel/VITA/2005%20Young%20Adult%20Mortality.pdf The author uses skeletal remains to suggest a link between childhood physiological stress and adult heath. The research conducted is an investigation of skeletal findings presented by groups of anthropologists. Steckel bases his research on previous studies that link childhood health to adult success and growth (stature) to adult wellness. Femur length is a proven method among anthropologists, for determining stature. â€Å"In a large collaborative study that investigated skeletal health over the past several thousand years, these included three indictors of health during childhood (stature, linear enamel defects, and skeletal signs of anemia)† (Steckel, 2005).. Stature is also included as an important

International Financial Management Essay Example | Topics and Well Written Essays - 1000 words - 2

International Financial Management - Essay Example And the larger financial markets now have a much bigger consumer base than ever before. (Issing, 2000) With the occurrence of globalization the capital structure of MNC has changed. This is because these companies can now be owned by their customers from outside their base country. Like for example Jaguar (originally British) being owned by the Tata Group of India (Berkowitz, 2008) and Volvo (originally Swedish) is now owned by Geely which is a Chinese company (IBSEN, 2010). The stock market activities are now largely dependent on the availability of information. Stocks are traded on the basis of information coming from across the world. And with the time difference between the major stock markets from East to West, stock market activities are now held round the clock. Globalization has essentially made the financial markets much more competitive by broadening the horizon of their operations. Therefore it is safe to say that the affect of globalization on the financial sector has helped it grow and give exposure to a wider array of investors. Berkowitz, J. (2008, March 25). Tata Motors Buys Jaguar and Land Rover for $2.9b. Retrieved from The Truth about cars: http://www.thetruthaboutcars.com/2008/03/tata-motors-buys-jaguar-and-land-rover-for-2b/ IBSEN, D. A. (2010, March 30). VOLVO TO BE OWNED BY A CHINESE CONGLOMERATE, BUT WILL STAY A SWEDISH BRAND. Retrieved from The Marketeer:

Reflective Journal Coursework Example | Topics and Well Written Essays - 250 words

Reflective Journal - Coursework Example Accomplishment of leadership roles requires leaders to be equipped with the necessary skills for that purpose. Certo S. and Certo T. (2012) posit that a leader should have ability to delegate duties to the right persons to ensure work continues even when they are away. Secondly, effective communication skills enable leaders to describe clearly and succinctly the roles, requirements and procedures to their subjects (Salagean, Ilieş, Gherman & Pampa, 2013). Thirdly, a leader should be confident in order to assure organisational stakeholders that setbacks are natural and the necessary objective is to focus on the larger goal for organisational prosperity. I believe accomplishing my goals with the help from a network of other people would be beneficial than struggling in my own. According to Latham (2014), people can identify other people’s strengths and weaknesses faster than they can identify their own. Using a network also encourages shared goals and outcomes in addition to beneficial contributions made by people with experience in leadership environments. I believe I am not perfect; therefore, I need other people to help me develop my leadership

Contemporary Indian Theatre And Habib Tanvirs

Contemporary Indian Theatre And Habib Tanvirs Habib Tanvir and Naya Theatre are two inseparable names which will always be remembered in the modern theatrical scenario in India. Its been a year since the death of Habib Tanvir, one of the most popular Indian Hindi, Urdu playwrights, a poet, a theatre director, and an actor, but still the majority of theatergoers in India remember his famous artworks like Agra Bazar and Charandas Chor. The country will always recall this man as the founding father of contemporary theatre of India. But before we go into his life and work details we will have a quick understanding of the evolution of contemporary theatre in India. The traditional theatre, The classical or Sanskrit theatre and The Modern theatre. Contemporary Indian theatre, as we know it today, has been widely influenced by the change in the political scenario in India. During the 200 years of British rule Indian theatre came in direct contact with western theatre. With the union of power by the British Raj in Maharashtra, Tamil Nadu and Bengal, it was in the metropolises of Bombay, Madras and Calcutta that they first introduced their style of theatre, primarily based on London concept. This genre of theatre began to expand in the 1850s as more enthusiasts started to perform their own play on different languages based on western style. Due to the growth of this new form of the theatre the other conventional form of theatre felt the heat. Theatre started being ticketed from the 1870s. By the 20th century and First World War, it became a product for sale and was restricted into the auditorium. As the Indian freedom movement picked momentum, the creative side of the theatre took a setback. In 1922, the Indian Communist Party was founded and along with it came the Indian People`s Theatre Association (IPTA), which worked as its cultural wing. They took the initiative of portable theatre and these were based on various political agenda primarily against the British Rule. Indian theatre was turning out as a medium of social and political change that would be more concerned about reaching out to the common people. Post-Independence, Indian theatre got a fresh and broader outlook from appropriate mixing of various styles from medieval, Sanskrit, and western theatre. This newly found entity was further enhanced by the formation of Sangeet Natak Academy in Jan 1953 and the National School of Drama, New Delhi under Ebrahim Alkazi in 1959. This dramatic revival brought many pioneers in the theatrical front among which Habib Tanvir was one of the most popular theatre playwright-director in Hindi and Urdu. Along with B.V. Karanth (1928-2002), Ibrahim Alkazi (born 1923), Utpal Dutt (1929-1993) Satyadev Dubey (born 1936), Tanvir shaped the structure of modern theatre in India. The individuality in Tanvirs form of theatre was that it showed how Indian theatre could be simultaneously blended with traditional and contemporary aspects. His theater was not fixed to any one form as a whole. His works reaped the skills, energies of folk performance and made them relevant to the secular and democratic perspective. The effect was that his artwork was as challenging as it was entertaining. During the five decades of his stint in theatre, Tanvir gave such memorable productions as Agra Bazar[1954], Mitti ki Gari[1958], Gaon ka Naam Sasural Mor Naam Damaad[1973], Charandas Chor[1975], Jis Lahore Ni Dekhya[1990], and Rajrakt[2006], of which many are renowned as classics of the contemporary Indian stage. In popular culture, the name of Habib Tanvir is closely related to the concept of the folk theatre. However, Habib Tanvirs appeal with the folk was motivated by the folk performers who brought their own styles along with them. Habib Tanvir plays involved actors who can sing and dance. His project from the start had been to utilize elements of folk as an instrument to produce theater to appeal general masses. Habib Ahmed Khan was born in Raipur, Chhattisgarh to Hafiz Ahmed Khan, who belonged to Peshawar. Tanvir was a pen-name he took later when he started writing poetry. Raipur, during that time was a small town surrounded by villages. As a child, Tanvir too had many opportunities to visit villages, interact with the residents and listen to the songs of the locals. He was so attracted by those melodies that he even memorized some of them. Tanvir completed his schooling from Laurie Municipal High School in Raipur and his BA from Morris College Nagpur in 1944. After pursuing his Masters for 1 year at Aligarh Muslim University (AMU), Tanvir moved to Bombay in 1945 and joined All India Radio (AIR). He also joined the PWA (Progressive Writers Association) and became an essential part of IPTA (Indian Peoples Theatre Association) as an actor. When the Communist Party of India was banned many IPTA members were jailed or went underground. From 1948-50, Habib solely handled the responsibility of running the organization. In 1954, Tanvir moved to Delhi, and worked with Hindustani Theatre formed by Qudsia Zaidi and authored many plays. It was in this period he met Moneeka Mishra, also an actor-director, whom he later married. In the same year, he produced Agra Bazar, based on the times of the 18-th-century Urdu poet, Nazir Akbarabadi, an older poet in the generation of Mirza Ghalib. He used students of Jamia Millia Islamia and local residents and folk artists from Okhla village and created an ambience never seen before in Indian theatre. The play was not staged in a restricted space, but in a bazaar, a marketplace. Later, On a Govt of India scholarship, Tanvir went to England in 1956. He received training at the Royal Academy of Dramatic Art, and the British Drama League, and having exposure to Western drama and production styles. He traveled extensively throughout Europe, watching theatre. In 1956 he spent about 8 months in Berlin and saw numerous productions by Bertolt Brecht. Being Tanvirs first experience with the German playwright-directors work he was quickly influenced by it. Simplicity and directness were the benchmark of Berliner Ensemble productions, and Tanvir was reminded of Sanskrit drama, about its simplicity in technique and presentation. By the time he got back to India, he was determined to unlearn much of what he had learnt at RADA. Thus following a path of development opposite to that followed by other Indian directors trained in Britain. Soon after returning from Europe, he worked with some folk artists of Chhattisgarh and tried to understand their forms and techniques. His first production, Mitti ki Gadi, included 6 folk actors from Chhattisgarh in the cast. Besides, to give a distinct Indian form and style, he used the conventions and techniques of folk stage. This play though is now performed entirely by village artists, but it is still considered as one of the best modern portrayal of the classic. Tanvir and his wife Moneeka Misra founded Naya Theatre in 1959. During this stage of career, Tanvirs interest in the folk traditions and performers continued to grow. But, it was not until the early 1970s that this association reached a new and more sustained phase. Tanvir wasnt entirely satisfied with the working of folk actors. He identified two faults in his approach to tackle them. Firstly, the problem with the rural artists was they not only could read or write but couldnt even remember what way they needed to move in the stage. So, it wasnt wise enough to pre-define their movements in advance. Secondly, making these people speak standard Hindi in Hindustani plays created a severe handicap for them and restricted their freedom of expression and creativity in performance. To improvise on these faults, the folk actors were allowed to speak in their native Chhattisgarhi dialect. He also worked intensively with rural performers in their language delivery and style of performance. Also, to make them feel stage worthy, he allowed them their own portion of delivery in their own traditional way. The second breakthrough came when Tanvir conducted a nacha workshop in Raipur in 1972 where more than a hundred folk participants were involved in a month-long exercise. During this workshop, three different traditional comedies were selected and combined to form a full length play. Further improvisations linked them up to a full story, leading to a stage play called Gaon ka Naam Sasural, Mor Naam Damaad. This play marked a turning point in Tanvirs career, not only because the play was a grand success in Delhi but that he finally found the form and style he was searching since his directorial debut. Since then, he continued his construction and casting of play through improvisations. Through this method, at that time he produced his best work Charandas Chor(1975). This play is still the evergreen favorite for most theatre goers. Tanvirs Naya Theatre worked almost entirely with folk actors. But, his occasional productions with other theatre groups were also marked by the style he developed through his work with folk artists. But, this newly developed style was not folk theatre by any sense. He was still an urban artist with sensibility, modern outlook and strong sense of history and politics. His unique style and content in theatre always reflected his commitment to common people and their causes, primarily due to his involvement with the leftist cultural movement in early years. Tanvirs fascination with the folk was motivated by the fact that he believed there is a huge artistic and creative energy inherent in these traditions. He always borrowed techniques, music and themes from these traditions as and when required. His theatre never belonged to any one form or tradition wholly. His plays, from the beginning, have been utilizing elements of folk traditions as a tool and make them give new, contemporary meanings, and to create an art form which has that touch of soil in it. The performance styles of the actors were always in their conventional nacha background, but the plays were not original nacha productions. While the number of actors in a nacha play is usually 2 or 3, the rest being background dancers and singers, Tanvirs plays used to involve a whole casting of actors, some of whom could sing and dance. His productions always had a structure which one doesnt associate with the original form of the nacha. Another significant difference is that while the nacha songs are mostly used as intermediate musical delays, in Tanvirs plays they were closely embedded as an important part of the theme of the play. This is best displayed in some his adaptations like The Good Woman of Szechwan (Shaajapur ki Shantibai) and A Midsummers Night Dream (Kamdeo Ka Apna, Basant Ritu Ka Sapna). Tanvir not only gave his poetic compositions the freshness of the original but has also used his words to fit native tunes with ease and skill. However, Tanvir was always conscious not to create a difference between his own educated minds over the uneducated creative mind of his actors. An example of this approach is the way Tanvir mixed his poetry to the traditional tribal and folk music, retaining its own imaginative power without in any way less valuing the latter. Another example is the way he allowed his actors and their skills to be projected by less complicating the lighting stage design. Therefore in contrast to the stylish genre of drama on one side and the traditional theatre on the other, Habib Tanvir, with his own blend of tradition, folk creativity and critical consciousness, offered a fresh and innovative model of field of dramatics. It is this rich blend which made his art so memorable. Even after Tanvirs death, his innovative art form and style is still being carried forward through newer productions of Naya Theatre. Seeing recent performance of Naya Theatre actors in movie Peepli Live we can probably comment that Tanvirs art form is gradually crossing the barriers of contemporary theatre and exploring newer towards mainstream cinema.

Nurse Practitioner - Personal Narrative Essays -- Volunteer Volunteeri

Recently, I was able to take a trip down to Tijuana, Mexico, where I had the opportunity to volunteer at an orphanage for ten days. While at the orphanage, I was able to help build a sidewalk and a garage for a family who was fleeing domestic violence. During my trip I experienced one of the greatest feelings in my life, which was the complete self-fulfillment and joy in helping another human being. I knew from then on helping people and having the privilege to serve others would be something I would want to do as lifetime career. Thus, combining my love for helping people and my interest in the medical field, I decided to research the occupation of being a nurse practitioner to see if this would be a suitable career option for me in the future. As a nurse, you can generally plan when you will work and for how long, but your day will be anything but routine. Depending on the area of specialty, nurse practitioners are employed in hospitals, clinics, physicians’ offices, nursing homes, mental health centers, hospices, prisons, and other health care settings (Nurse Practitioner Vocational,69).As you can see ,n all most all instances this occupation takes place indoors in a formal setting. Also, since this occupation is set in a formal setting you can expect that wearing a uniform is mandatory. Much of these dress codes include wearing scrubs, a lab jacket, and often gloves or masks so that nurses may protect themselves and their patients (Nurse Practitioner Oregon, 1). Furthermore, an average nursing shift is eight hours long, with the option of working a day shift, evening shift, or a night shift (Morkes Encylopedia, 71). All of... ...ion, throughout researching this paper I became more and more attracted to the possibility that I might someday become a nurse practitioner. One of the most important things I learned is that the educational requirements to become a nurse practitioner were much more appealing to me than those required of a physician. Also, I learned that this occupation is one that has employment opportunities across the world, which is perfect for me since I would love to be able to help people all over the globe. Finally, in the future I would definitely consider pursuing this occupation. This career has so many different aspects that fit perfectly into my idea of a dream job. Plus it would give me the opportunity to make a difference in people’s lives on a daily basis, which in my opinion is one of the best career options available.